Archive for the ‘Arts reviews’ Category

March 9th, 2011

Despite dreadful notices, repeated delays and a series of actors either being strung up over the audience or dropped upon the audience onto the stage or into the orchestra pit (ht: Swift Loris), “Spiderman: Turn Off the Dark” is raking in over a million dollars a week. This calls to mind the apocryphal military officer’s [...]

November 29th, 2010

Alex Ross noted a couple months ago that the Metropolitan Opera’s new $16m Ring cycle was beginning . Is this a good use of resources in tough times? he asks. He makes a good try at arguing that Wagner, at least, is opera for everyone (Wagner’s views on the relationship of art to society were [...]

November 7th, 2010

They were careless people, Mick and Keef. They smashed up things and creatures and then retreated back into their money of their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess….

October 2nd, 2010

Ilya Repin´s painting of Volga boatmen is not one of serfs.

September 9th, 2010

Film buffs will mourn the passing of Clive Donner, a film director whose career peaked a long time ago and did not have enduring impact in the U.S. Much of the English new wave films, like the French new wave films of the same period, look a bit self-conscious and pretentious today, but Donner’s skill [...]

January 7th, 2010

Why some Gothic statues show a breastfeeding Virgin Mary,

January 7th, 2009

A lesson from Goya’s Duel with Cudgels.

March 18th, 2008

The Brooklyn Museum hit the headlines several years ago playing its role in the wonderful piece of political theater set in motion when it exhibited Chris Ofili’s The Holy Virgin Mary . Growing up as a provincial Manhattanite of the classic sort, I had never made it to the BM until this weekend, when we [...]

March 15th, 2008

… doesn’t include Byrd, Tallis, Taverner, Josquin, or Hildegard. That’s sad.

February 29th, 2008

This week I was trapped in an aluminum tube with the movie, Mr. Magorium’s Magical Emporium. This is a piece of fluff that wastes Dustin Hoffman and Natalie Portman on a deeply vacuous story about a magic toy store, and how you can do anything you want if you only believe, and how accountants and [...]